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Young-Jae LeeUntitled, 2005ceramic spindle vase
stoneware, feldspar glaze, fired at 1280°Ch: 10 1/4 in (26 cm)
Ø: 12 1/4 in (31 cm) -
Young-Jae LeeUntitled, 2005ceramic vase
stoneware, feldspar glaze, fired at 1280°Ch: 12 5/8 in (32 cm)
Ø: 11 3/8 in (29 cm) -
Bill SchwarzUntitled (lawn party), 2005photographic prints, acrylic sleeves, double-sided foam tape27 1/2 x 15 3/4 in (69.9 x 40 cm)
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Jane HammondFriendly Beast, 2004-2005selenium toned gelatin silver print17 x 14 inches
43.2 x 35.6 cm -
Mel Kendrick6 Green Blocks, 2004walnut and Japan coloreach: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
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Barry Le Va9g Wagner Plan Views; Wall and Floor Installation (ICA Variations), 2004burnt umber oil pigment on paper in 2 partseach sheet: 38 x 50 in (96.5 x 127 cm)
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Richard ArtschwagerAbstraction, 2004acrylic and pastel on fiber panel on soundboard with artist's frame67 x 49 1/2 inches
170.2 x 125.7 cm -
Tony FeherClinton Steet, 2004plywood and flattened aluminum pan40 x 24 x 9 1/4 inches
101.6 x 61 x 23.5 cm -
Peter SaulDali invades Cuba, 2004acrylic and colored pencil on paper39 1/2 x 29 3/4 inches
100.3 x 75.6 cm -
Jim NuttPlumb, 2004acrylic on linen in MDF frame26 3/8 x 25 3/8 inches
67.1 x 64.5 cm
16 x 15 inches (canvas) -
Richard ArtschwagerSeated Nude, 2004charcoal on paper38 x 25 in (96.5 x 63.5 cm)
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Jonathan MeeseStudie zu Flash Gordon, 2004graphite and charcoal on paper15 3/4 x 11 3/4 in (40 x 30 cm)
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Ciprian MureșanThe End of Five-Year Plan, 2004mixed mediaoverall dimensions variable
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Malcolm MorleyThe Theory of Catastrophe, 2004oil on linen81 x 76 inches
205.7 x 193 cm -
Albert OehlenUntitled, 2004cut-and-pasted printed paper on printed paper6 1/2 x 9 in (16.5 x 22.9 cm)
framed: 19 3/8 x 16 3/8 in (49.2 x 41.6 cm) -
Albert OehlenUntitled, 2004cut-and-pasted printed paper on printed paper9 x 6 1/4 in (22.9 x 15.9 cm)
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Albert OehlenUntitled, 2004cut-and-pasted printed paper on printed paper6 x 4 in (15.2 x 10.2 cm)
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Albert OehlenUntitled, 2004cut-and-pasted printed paper on printed paper12 x 17 3/4 in (30.5 x 45.1 cm)
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Chakaia BookerLast Digit, 2003cast bronze25 x 13 x 10 in (63.5 x 33 x 25.4 cm)
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Philip TaaffeSlough I, 2003oil pigment on paper29 3/4 x 22 1/8 inches
75.6 x 56.2 cm -
Philip TaaffeSlough IV, 2003oil pigment on paper29 3/4 x 22 1/8 inches
75.6 x 56.2 cm -
Gavin TurkWatch Tower, 2003acrylic, ink and graphite on paper19 1/2 x 27 1/2 in (49.5 x 69.9 cm)
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Richard ArtschwagerStudy for "Abstract" Painting, 2002charcoal on paper25 x 19 inches
63.5 x 48.3 cm -
Jonathan MeeseUntitled, 2002mixed media on paper51 5/8 x 35 in (131 x 89 cm)
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Mel KendrickUntitled (Group of Five), 2002Japan color on poplareach: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
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Mel KendrickUntitled (Group of Four), 2002Japan color on oiled Padoukeach: 6 x 2 x 2 in (15 x 5 x 5 cm)
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Julia Fish[ shadow drawing for ] Living Rooms, NorthEast - two, 2002gouache on paper25 x 22 1/2 in (63.5 x 57.2 cm)
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Matthew McCaslinFailed Rainbow, 2001humidifier, corrugated sheet metal, halogen light bulb32 x 12 x 8 inches
81.3 x 30.5 x 20.3 cm -
Richard TuttleGold, 2001complete set of five aquatint, etching, and screenprints with chine collé and gold leaf additions, on textured Somerset paper, published by Brooke Alexander Editions, New York, with full marginseach sheet: 14 3/4 x 14 3/4 in (37.5 x 37.5 cm)Edition of 25 plus 10 AP's (#1/25)
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Carroll DunhamSearch For Orgone, 2001acrylic and ink on paper42 x 37 1/2 inches
106.7 x 95.3 cm -
Mel KendrickBlack Plug, 2000wood, ink and plasticshell: 34 x 24 x 20 in (86.4 x 61 x 50.8 cm)
core: 34 x 18 x 16 in (86.4 x 45.7 x 40.6 cm) -
Mel KendrickFirst Coring, 2000wood, steel and plastic48 x 45 x 27 inches each
121.9 x 114.3 x 68.6 cm each -
Ian Hamilton FinlayNet Markers of the Disciples (with Gary Hincks), 2000lithograph13 x 17 3/4 in (33 x 45 cm)
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Mel KendrickPlug and Shell, 2000birch wood, pipe, cable ties, and cement blockseach: 63 x 21 x 24 in (160 x 53.3 x 61 cm)
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Barry Le VaStudy for Sculpture (Köln), 2000photograph and ink on paper22 1/2 x 14 3/4 in (57.2 x 37.5 cm)
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Barry Le VaStudy for Sculpture (Köln), 2000photograph and ink on paper22 1/2 x 14 3/4 in (57.2 x 37.5 cm)
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Peter SaulCold Sweat, 1999acrylic on canvas55 1/8 x 66 7/8 inches
140 x 170 cm -
Julia FishStudy - Fragments from Entry and Floret, 1999gouache on paper22 1/2 x 30 in (57.2 x 76.2 cm)
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Thomas RuffUntitled, 1999chromogenic print61 1/4 x 42 1/8 inches
155.6 x 107 cm -
Jonathan MeeseGRAND PRIX-TEAM "EARL-PRICKEL-PIT", 1998-99mixed media on paper15 3/4 x 24 1/2 in (40 x 62 cm)
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Ian Hamilton FinlayFive Benches for a Lane, 1998five hand-inscribed teak benches, with Bob Lewiseach: 15 x 37 x 10.5 in (38 x 94 x 26.5 cm)
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Markus LüpertzLandschaft schwarz, 1998oil on canvas39 1/4 x 32 inches
99.7 x 81.3 cm -
Richard ArtschwagerThe Lovers (study), 1998acrylic and rubberized hair on masonite52 x 30 x 2 in (132.1 x 76.2 x 5.1 cm)
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Barry Le VaUntitled, 1998ink on paper15 x 22 1/2 in (38.1 x 57.2 cm)
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Ian Hamilton FinlayAge Quod Agis / Rubbing Post for a Wild Boar, 1997stone, with Peter Coates60 1/4 x 8 1/8 in (153 x 20.6 cm)
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Mel KendrickTwin Locks, black and yellow, 1997woodblock on Kozo paper mounted on linen108 x 96 in (274.32 x 243.84 cm)
unique -
Barry Le VaUntitled, 1997ink on paper15 x 22 1/2 in (38.1 x 57.2 cm)
framed: 17 7/8 x 25 1/4 in (45.4 x 64.1 cm) -
Barry Le VaUntitled, 1997ink on paper15 x 22 1/2 in (38.1 x 57.2 cm)
framed: 17 7/8 x 25 1/4 in (45.4 x 64.1 cm) -
Beth B.Untitled (#17 Jane (Pierced)), 1997gelatin silver print13 x 12 inches
33 x 30.5 cm -
Mona HatoumNo Way II, 1996enamel and stainless steel10 3/4 x 8 3/4 x 5 in (27.3 x 22.2 x 12.7 cm)Edition 2 of 6, with 1 AP
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Mel KendrickUntitled, 1996ink on Kozo paper20 x 12 in (50.8 x 30.5 cm)
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Mel KendrickUntitled, 1996ink on Kozo paper20 x 12 in (50.8 x 30.5 cm)
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Mel KendrickBig Daddy Fun/ Second Version, 1995two parts: wood, pipe and cast rubberleft: 82 1/2 x 60 x 36 in (209.6 x 152.4 x 91.4 cm)
right: 82 1/2 x 36 x 32 in (209.6 x 91.4 x 81.3 cm) -
Mel KendrickBlack Trunk, 1995wood and ink116 x 59 x 52 in (294.6 x 149.9 x 132.1 cm)
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Ian Hamilton FinlayHomage to Seurat, 1995wall painting, painted wheelbarrow, painted hoe, painted watering can, with Gary Hincks and Candida Ballantynewall painting: dimensions variable
wheelbarrow: 18 1/8 x 52 x 22 1/8 in (46 x 132 x 56 cm)
hoe: 61 3/8 x 4 7/8 x 1 5/8 in (156 x 12.5 x 4 cm)
watering can: 15 3/4 x 24 3/8 x 8 7/8 in (40 x 62 x 22.5 cm) -
Carolee SchneemannScroll Box - The CaveOriginal scroll from group event at Widow Jane Cave in Rosendale, NY, 1995laminated paper scroll, suspended in aluminum case designed by the artist24 x 4 x 4 inches
61 x 10.2 x 10.2 cm -
Mel KendrickTrunk Drawing, 1995ink on Kozo paper mounted to canvas117 x 152 in (297.2 x 386.1 cm)
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Kiki SmithUntitled, 1995ink on Nepal paper, collage30 3/4 x 20 1/2 inches
78.1 x 52.1 cm -
Ian Hamilton FinlayWatering Can (Shenstone), 1995bronze, with John Andrew15 3/4 x 23 1/2 x 11 3/4 in (40 x 60 x 30 cm)
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Dorothea RockburneComplexity and Light, 1994watercolor paint and watercolor sticks on gessoed masonite22 x 42 1/2 x 1 1/8 in (55.9 x 108 x 2.9 cm)
each: 12 1/4 x 12 1/4 x 1 in (31.1 x 31.1 x 2.5 cm) -
Mira SchorSlit of Paint, 1994oil on canvas12 x 16 inches
30.5 x 40.6 cm -
Judie BamberUntitled, 1994oil on wood6 1/4 x 1 3/4 x 2 inches
15.9 x 4.4 x 5.1 cm -
Barry Le VaUntitled, 1994ink, watercolor and collage on paper15 3/8 x 10 1/8 in (39.1 x 25.7 cm)
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Franz AckermannUntitled (Mental Map: my private housing project), 1994watercolor, bandages and hair on paper5 x 7 1/4 in (12.7 x 18.4 cm)
framed: 8 3/4 x 11 1/8 in (22.2 x 28.3 cm) -
Franz AckermannUntitled (Mental Map: what happens in house #7), 1994watercolor and graphite on paper5 x 7 1/4 in (12.7 x 18.4 cm)
framed: 8 3/4 x 11 1/8 in (22.2 x 28.3 cm) -
Ian Hamilton Finlay with Werner HannappelStepping Stones: RIPPLE n. A FOLD. A FLUTING OF THE LIQUID ELEMENT, 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelTemple Fragment 'No Ripe Rasp', 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Front Garden: Elegiac Inscription (Bring Back the Birch), 1993-95Silver Gelatin Print15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Front Garden: Mare Nostrum and The Sea's Waves, 1993-95photograph19 x 15 1/4 in (48.3 x 38.7 cm)
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Ian Hamilton Finlay with Werner HannappelThe Lochan Eck Garden: Hegelian Stile, 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Lochan Eck Garden: Laugier's Hut (The Goose Hut), 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Lochan Eck Garden: Nuclear Sail, 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Roman Garden, 1993-95Silver Gelatin Print15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Upper Pool: Duck, Wind, Grass, Cloud, 1993-95Silver Gelatin Print15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Wild Garden: Apollo and Daphne, 1993-95Silver Gelatin Print15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Wild Garden: Bridge, 1993-95Silver Gelatin Print15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Wild Garden: Virgil's Spring, 1993-95photograph15 1/4 x 19 in (38.7 x 48.3 cm)
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Ian Hamilton Finlay with Werner HannappelThe Woodland Garden: Glade, 1993-95photograph19 x 15 1/4 in (48.3 x 38.7 cm)
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Maureen Connor"Heads" from The Sixth Sense, 1993video4:12 min, color, silent
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Larry Poons93-A2, 1993acrylic on canvas87 3/4 x 84 1/2 inches
222.9 x 214.6 cm