Artworks

  • Young-Jae Lee, Untitled, 2005
    Young-Jae Lee
    Untitled, 2005
    ceramic spindle vase
    stoneware, feldspar glaze, fired at 1280°C
    h: 10 1/4 in (26 cm)
    Ø: 12 1/4 in (31 cm)
  • Young-Jae Lee, Untitled, 2005
    Young-Jae Lee
    Untitled, 2005
    ceramic vase
    stoneware, feldspar glaze, fired at 1280°C
    h: 12 5/8 in (32 cm)
    Ø: 11 3/8 in (29 cm)
  • Bill Schwarz, Untitled (lawn party), 2005
    Bill Schwarz
    Untitled (lawn party), 2005
    photographic prints, acrylic sleeves, double-sided foam tape
    27 1/2 x 15 3/4 in (69.9 x 40 cm)
  • Jane Hammond, Friendly Beast, 2004-2005
    Jane Hammond
    Friendly Beast, 2004-2005
    selenium toned gelatin silver print
    17 x 14 inches
    43.2 x 35.6 cm
  • Mel Kendrick, 6 Green Blocks, 2004
    Mel Kendrick
    6 Green Blocks, 2004
    walnut and Japan color
    each: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
  • Barry Le Va, 9g Wagner Plan Views; Wall and Floor Installation (ICA Variations), 2004
    Barry Le Va
    9g Wagner Plan Views; Wall and Floor Installation (ICA Variations), 2004
    burnt umber oil pigment on paper in 2 parts
    each sheet: 38 x 50 in (96.5 x 127 cm)
  • Richard Artschwager, Abstraction, 2004
    Richard Artschwager
    Abstraction, 2004
    acrylic and pastel on fiber panel on soundboard with artist's frame
    67 x 49 1/2 inches
    170.2 x 125.7 cm
  • Tony Feher, Clinton Steet, 2004
    Tony Feher
    Clinton Steet, 2004
    plywood and flattened aluminum pan
    40 x 24 x 9 1/4 inches
    101.6 x 61 x 23.5 cm
  • Peter Saul, Dali invades Cuba, 2004
    Peter Saul
    Dali invades Cuba, 2004
    acrylic and colored pencil on paper
    39 1/2 x 29 3/4 inches
    100.3 x 75.6 cm
  • Jim Nutt, Plumb, 2004
    Jim Nutt
    Plumb, 2004
    acrylic on linen in MDF frame
    26 3/8 x 25 3/8 inches
    67.1 x 64.5 cm
    16 x 15 inches (canvas)
  • Richard Artschwager, Seated Nude, 2004
    Richard Artschwager
    Seated Nude, 2004
    charcoal on paper
    38 x 25 in (96.5 x 63.5 cm)
  • Jonathan Meese, Studie zu Flash Gordon, 2004
    Jonathan Meese
    Studie zu Flash Gordon, 2004
    graphite and charcoal on paper
    15 3/4 x 11 3/4 in (40 x 30 cm)
  • Ciprian Mureșan, The End of Five-Year Plan, 2004
    Ciprian Mureșan
    The End of Five-Year Plan, 2004
    mixed media
    overall dimensions variable
  • Malcolm Morley, The Theory of Catastrophe, 2004
    Malcolm Morley
    The Theory of Catastrophe, 2004
    oil on linen
    81 x 76 inches
    205.7 x 193 cm
  • Albert Oehlen, Untitled, 2004
    Albert Oehlen
    Untitled, 2004
    cut-and-pasted printed paper on printed paper
    6 1/2 x 9 in (16.5 x 22.9 cm)
    framed: 19 3/8 x 16 3/8 in (49.2 x 41.6 cm)
  • Albert Oehlen, Untitled, 2004
    Albert Oehlen
    Untitled, 2004
    cut-and-pasted printed paper on printed paper
    9 x 6 1/4 in (22.9 x 15.9 cm)
  • Albert Oehlen, Untitled, 2004
    Albert Oehlen
    Untitled, 2004
    cut-and-pasted printed paper on printed paper
    6 x 4 in (15.2 x 10.2 cm)
  • Albert Oehlen, Untitled, 2004
    Albert Oehlen
    Untitled, 2004
    cut-and-pasted printed paper on printed paper
    12 x 17 3/4 in (30.5 x 45.1 cm)
  • Chakaia Booker, Last Digit, 2003
    Chakaia Booker
    Last Digit, 2003
    cast bronze
    25 x 13 x 10 in (63.5 x 33 x 25.4 cm)
  • Philip Taaffe, Slough I, 2003
    Philip Taaffe
    Slough I, 2003
    oil pigment on paper
    29 3/4 x 22 1/8 inches
    75.6 x 56.2 cm
  • Philip Taaffe, Slough IV, 2003
    Philip Taaffe
    Slough IV, 2003
    oil pigment on paper
    29 3/4 x 22 1/8 inches
    75.6 x 56.2 cm
  • Gavin Turk, Watch Tower, 2003
    Gavin Turk
    Watch Tower, 2003
    acrylic, ink and graphite on paper
    19 1/2 x 27 1/2 in (49.5 x 69.9 cm)
  • Richard Artschwager, Study for "Abstract" Painting, 2002
    Richard Artschwager
    Study for "Abstract" Painting, 2002
    charcoal on paper
    25 x 19 inches
    63.5 x 48.3 cm
  • Jonathan Meese, Untitled, 2002
    Jonathan Meese
    Untitled, 2002
    mixed media on paper
    51 5/8 x 35 in (131 x 89 cm)
  • Mel Kendrick, Untitled (Group of Five), 2002
    Mel Kendrick
    Untitled (Group of Five), 2002
    Japan color on poplar
    each: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
  • Mel Kendrick, Untitled (Group of Four), 2002
    Mel Kendrick
    Untitled (Group of Four), 2002
    Japan color on oiled Padouk
    each: 6 x 2 x 2 in (15 x 5 x 5 cm)
  • Julia Fish, [ shadow drawing for ] Living Rooms, NorthEast - two, 2002
    Julia Fish
    [ shadow drawing for ] Living Rooms, NorthEast - two, 2002
    gouache on paper
    25 x 22 1/2 in (63.5 x 57.2 cm)
  • Matthew McCaslin, Failed Rainbow, 2001
    Matthew McCaslin
    Failed Rainbow, 2001
    humidifier, corrugated sheet metal, halogen light bulb
    32 x 12 x 8 inches
    81.3 x 30.5 x 20.3 cm
  • Richard Tuttle, Gold, 2001
    Richard Tuttle
    Gold, 2001
    complete set of five aquatint, etching, and screenprints with chine collé and gold leaf additions, on textured Somerset paper, published by Brooke Alexander Editions, New York, with full margins
    each sheet: 14 3/4 x 14 3/4 in (37.5 x 37.5 cm)
    Edition of 25 plus 10 AP's (#1/25)
  • Carroll Dunham, Search For Orgone, 2001
    Carroll Dunham
    Search For Orgone, 2001
    acrylic and ink on paper
    42 x 37 1/2 inches
    106.7 x 95.3 cm
  • Mel Kendrick, Black Plug, 2000
    Mel Kendrick
    Black Plug, 2000
    wood, ink and plastic
    shell: 34 x 24 x 20 in (86.4 x 61 x 50.8 cm)
    core: 34 x 18 x 16 in (86.4 x 45.7 x 40.6 cm)
  • Mel Kendrick, First Coring, 2000
    Mel Kendrick
    First Coring, 2000
    wood, steel and plastic
    48 x 45 x 27 inches each
    121.9 x 114.3 x 68.6 cm each
  • Ian Hamilton Finlay, Net Markers of the Disciples (with Gary Hincks), 2000
    Ian Hamilton Finlay
    Net Markers of the Disciples (with Gary Hincks), 2000
    lithograph
    13 x 17 3/4 in (33 x 45 cm)
  • Mel Kendrick, Plug and Shell, 2000
    Mel Kendrick
    Plug and Shell, 2000
    birch wood, pipe, cable ties, and cement blocks
    each: 63 x 21 x 24 in (160 x 53.3 x 61 cm)
  • Barry Le Va, Study for Sculpture (Köln), 2000
    Barry Le Va
    Study for Sculpture (Köln), 2000
    photograph and ink on paper
    22 1/2 x 14 3/4 in (57.2 x 37.5 cm)
  • Barry Le Va, Study for Sculpture (Köln), 2000
    Barry Le Va
    Study for Sculpture (Köln), 2000
    photograph and ink on paper
    22 1/2 x 14 3/4 in (57.2 x 37.5 cm)
  • Peter Saul, Cold Sweat, 1999
    Peter Saul
    Cold Sweat, 1999
    acrylic on canvas
    55 1/8 x 66 7/8 inches
    140 x 170 cm
  • Julia Fish, Study - Fragments from Entry and Floret, 1999
    Julia Fish
    Study - Fragments from Entry and Floret, 1999
    gouache on paper
    22 1/2 x 30 in (57.2 x 76.2 cm)
  • Thomas Ruff, Untitled, 1999
    Thomas Ruff
    Untitled, 1999
    chromogenic print
    61 1/4 x 42 1/8 inches
    155.6 x 107 cm
  • Jonathan Meese, GRAND PRIX-TEAM "EARL-PRICKEL-PIT", 1998-99
    Jonathan Meese
    GRAND PRIX-TEAM "EARL-PRICKEL-PIT", 1998-99
    mixed media on paper
    15 3/4 x 24 1/2 in (40 x 62 cm)
  • Ian Hamilton Finlay, Five Benches for a Lane, 1998
    Ian Hamilton Finlay
    Five Benches for a Lane, 1998
    five hand-inscribed teak benches, with Bob Lewis
    each: 15 x 37 x 10.5 in (38 x 94 x 26.5 cm)
  • Markus Lüpertz, Landschaft schwarz, 1998
    Markus Lüpertz
    Landschaft schwarz, 1998
    oil on canvas
    39 1/4 x 32 inches
    99.7 x 81.3 cm
  • Richard Artschwager, The Lovers (study), 1998
    Richard Artschwager
    The Lovers (study), 1998
    acrylic and rubberized hair on masonite
    52 x 30 x 2 in (132.1 x 76.2 x 5.1 cm)
  • Barry Le Va, Untitled, 1998
    Barry Le Va
    Untitled, 1998
    ink on paper
    15 x 22 1/2 in (38.1 x 57.2 cm)
  • Ian Hamilton Finlay, Age Quod Agis / Rubbing Post for a Wild Boar, 1997
    Ian Hamilton Finlay
    Age Quod Agis / Rubbing Post for a Wild Boar, 1997
    stone, with Peter Coates
    60 1/4 x 8 1/8 in (153 x 20.6 cm)
  • Mel Kendrick, Twin Locks, black and yellow, 1997
    Mel Kendrick
    Twin Locks, black and yellow, 1997
    woodblock on Kozo paper mounted on linen
    108 x 96 in (274.32 x 243.84 cm)
    unique
  • Barry Le Va, Untitled, 1997
    Barry Le Va
    Untitled, 1997
    ink on paper
    15 x 22 1/2 in (38.1 x 57.2 cm)
    framed: 17 7/8 x 25 1/4 in (45.4 x 64.1 cm)
  • Barry Le Va, Untitled, 1997
    Barry Le Va
    Untitled, 1997
    ink on paper
    15 x 22 1/2 in (38.1 x 57.2 cm)
    framed: 17 7/8 x 25 1/4 in (45.4 x 64.1 cm)
  • Beth B., Untitled (#17 Jane (Pierced)), 1997
    Beth B.
    Untitled (#17 Jane (Pierced)), 1997
    gelatin silver print
    13 x 12 inches
    33 x 30.5 cm
  • Mona Hatoum, No Way II, 1996
    Mona Hatoum
    No Way II, 1996
    enamel and stainless steel
    10 3/4 x 8 3/4 x 5 in (27.3 x 22.2 x 12.7 cm)
    Edition 2 of 6, with 1 AP
  • Mel Kendrick, Untitled, 1996
    Mel Kendrick
    Untitled, 1996
    ink on Kozo paper
    20 x 12 in (50.8 x 30.5 cm)
  • Mel Kendrick, Untitled, 1996
    Mel Kendrick
    Untitled, 1996
    ink on Kozo paper
    20 x 12 in (50.8 x 30.5 cm)
  • Mel Kendrick, Big Daddy Fun/ Second Version, 1995
    Mel Kendrick
    Big Daddy Fun/ Second Version, 1995
    two parts: wood, pipe and cast rubber
    left: 82 1/2 x 60 x 36 in (209.6 x 152.4 x 91.4 cm)
    right: 82 1/2 x 36 x 32 in (209.6 x 91.4 x 81.3 cm)
  • Mel Kendrick, Black Trunk, 1995
    Mel Kendrick
    Black Trunk, 1995
    wood and ink
    116 x 59 x 52 in (294.6 x 149.9 x 132.1 cm)
  • Ian Hamilton Finlay, Homage to Seurat, 1995
    Ian Hamilton Finlay
    Homage to Seurat, 1995
    wall painting, painted wheelbarrow, painted hoe, painted watering can, with Gary Hincks and Candida Ballantyne
    wall painting: dimensions variable
    wheelbarrow: 18 1/8 x 52 x 22 1/8 in (46 x 132 x 56 cm)
    hoe: 61 3/8 x 4 7/8 x 1 5/8 in (156 x 12.5 x 4 cm)
    watering can: 15 3/4 x 24 3/8 x 8 7/8 in (40 x 62 x 22.5 cm)
  • Carolee Schneemann, Scroll Box - The CaveOriginal scroll from group event at Widow Jane Cave in Rosendale, NY, 1995
    Carolee Schneemann
    Scroll Box - The CaveOriginal scroll from group event at Widow Jane Cave in Rosendale, NY, 1995
    laminated paper scroll, suspended in aluminum case designed by the artist
    24 x 4 x 4 inches
    61 x 10.2 x 10.2 cm
  • Mel Kendrick, Trunk Drawing, 1995
    Mel Kendrick
    Trunk Drawing, 1995
    ink on Kozo paper mounted to canvas
    117 x 152 in (297.2 x 386.1 cm)
  • Kiki Smith, Untitled, 1995
    Kiki Smith
    Untitled, 1995
    ink on Nepal paper, collage
    30 3/4 x 20 1/2 inches
    78.1 x 52.1 cm
  • Ian Hamilton Finlay, Watering Can (Shenstone), 1995
    Ian Hamilton Finlay
    Watering Can (Shenstone), 1995
    bronze, with John Andrew
    15 3/4 x 23 1/2 x 11 3/4 in (40 x 60 x 30 cm)
  • Ian Hamilton Finlay, 1792 Mountain Plain Ravine, 1994
    Ian Hamilton Finlay
    1792 Mountain Plain Ravine, 1994
    Purbeck Portland stone, with Annet Stirling
    30 x 43 1/4 x 2 in (76.2 x 109.9 x 5.1 cm)
  • Dorothea Rockburne, Complexity and Light, 1994
    Dorothea Rockburne
    Complexity and Light, 1994
    watercolor paint and watercolor sticks on gessoed masonite
    22 x 42 1/2 x 1 1/8 in (55.9 x 108 x 2.9 cm)
    each: 12 1/4 x 12 1/4 x 1 in (31.1 x 31.1 x 2.5 cm)
  • Mira Schor, Slit of Paint, 1994
    Mira Schor
    Slit of Paint, 1994
    oil on canvas
    12 x 16 inches
    30.5 x 40.6 cm
  • Judie Bamber, Untitled, 1994
    Judie Bamber
    Untitled, 1994
    oil on wood
    6 1/4 x 1 3/4 x 2 inches
    15.9 x 4.4 x 5.1 cm
  • Barry Le Va, Untitled, 1994
    Barry Le Va
    Untitled, 1994
    ink, watercolor and collage on paper
    15 3/8 x 10 1/8 in (39.1 x 25.7 cm)
  • Franz Ackermann, Untitled (Mental Map: my private housing project), 1994
    Franz Ackermann
    Untitled (Mental Map: my private housing project), 1994
    watercolor, bandages and hair on paper
    5 x 7 1/4 in (12.7 x 18.4 cm)
    framed: 8 3/4 x 11 1/8 in (22.2 x 28.3 cm)
  • Franz Ackermann, Untitled (Mental Map: what happens in house #7), 1994
    Franz Ackermann
    Untitled (Mental Map: what happens in house #7), 1994
    watercolor and graphite on paper
    5 x 7 1/4 in (12.7 x 18.4 cm)
    framed: 8 3/4 x 11 1/8 in (22.2 x 28.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, Stepping Stones: RIPPLE n. A FOLD. A FLUTING OF THE LIQUID ELEMENT, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    Stepping Stones: RIPPLE n. A FOLD. A FLUTING OF THE LIQUID ELEMENT, 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, Temple Fragment 'No Ripe Rasp', 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    Temple Fragment 'No Ripe Rasp', 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Front Garden: Elegiac Inscription (Bring Back the Birch), 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Front Garden: Elegiac Inscription (Bring Back the Birch), 1993-95
    Silver Gelatin Print
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Front Garden: Mare Nostrum and The Sea's Waves, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Front Garden: Mare Nostrum and The Sea's Waves, 1993-95
    photograph
    19 x 15 1/4 in (48.3 x 38.7 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Lochan Eck Garden: Hegelian Stile, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Lochan Eck Garden: Hegelian Stile, 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Lochan Eck Garden: Laugier's Hut (The Goose Hut), 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Lochan Eck Garden: Laugier's Hut (The Goose Hut), 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Lochan Eck Garden: Nuclear Sail, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Lochan Eck Garden: Nuclear Sail, 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Roman Garden, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Roman Garden, 1993-95
    Silver Gelatin Print
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Upper Pool: Duck, Wind, Grass, Cloud, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Upper Pool: Duck, Wind, Grass, Cloud, 1993-95
    Silver Gelatin Print
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Wild Garden: Apollo and Daphne, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Wild Garden: Apollo and Daphne, 1993-95
    Silver Gelatin Print
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Wild Garden: Bridge, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Wild Garden: Bridge, 1993-95
    Silver Gelatin Print
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Wild Garden: Virgil's Spring, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Wild Garden: Virgil's Spring, 1993-95
    photograph
    15 1/4 x 19 in (38.7 x 48.3 cm)
  • Ian Hamilton Finlay with Werner Hannappel, The Woodland Garden: Glade, 1993-95
    Ian Hamilton Finlay with Werner Hannappel
    The Woodland Garden: Glade, 1993-95
    photograph
    19 x 15 1/4 in (48.3 x 38.7 cm)
  • Maureen Connor, "Heads" from The Sixth Sense, 1993
    Maureen Connor
    "Heads" from The Sixth Sense, 1993
    video
    4:12 min, color, silent
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