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ALEXANDER ROSS: Recent Terrestrials,

October 29 - December 5, 2014

ALEXANDER ROSS: Recent Terrestrials

Past exhibition
  • Overview
  • Installation Views
  • Press
  • Artist
  • Overview
    ALEXANDER ROSS, Recent Terrestrials

    David Nolan Gallery is pleased to present Recent Terrestrials, an exhibition of new work by Alexander Ross. On view from October 30 through December 6, this will be Ross’s third solo show with the gallery. Bringing together a series of large-scale paintings and group of smaller drawings, the exhibition signifies a variety of recent formal and thematic innovations for the artist.

    Ross is best known for his biomorphic imagery, wherein modeled forms suggest molecular ecosystems as viewed through a microscope, or surreal landscapes inspired by Max Ernst. In recent years, the artist has developed a distinctive color palette in which occasional flashes of red and yellow emerge within multiple shades of green. Ross’s characteristic handling of paint – through which shapes are given dimensionality in incremental bands of shading – might suggest a photorealistic endeavor. However, viewed as a whole, his compositions can be understood more accurately as abstractions, in which the interplay of color and form, highlight and shadow become the focus.

    With Recent Terrestrials, Ross redirects his emphasis toward imagery recalling “grotesques,” a style of architectural ornament found throughout Europe that incorporates ugly or playfully contorted faces. These sneering faces also have a political dimension, conveying the artist’s restlessness in response to what he perceives to be disquieting geological and social changes in civil life.

    Another group of paintings finds the artist un-mounted from his established vantage point, in which a clear blue sky serves as a neutral backdrop. Radically shifting this familiar perspective, a number of Ross’s new works comprise intricately worked lattices or cellular matrixes, which appear both luminous and translucent. In an alternative reading, these can also be seen as cross-sections of the earth where unusual concave forms suggest subterranean excavations.

    Born 1960 in Denver, Colorado, Alexander Ross lives and works in Great Barrington, Massachusetts. His works are included in the permanent collections of the Museum of Modern Art, New York, the Denver Art Museum, the Art Institute of Chicago, the Morgan Library, New York, and the Herbert F. Johnson Museum of Art at Cornell University, Ithaca. He is the recipient of numerous awards including the John Simon Guggenheim Memorial Foundation Fellowship (2002) and the Louis Comfort Tiffany Foundation Award (2003). His works have been exhibited in museums and galleries worldwide since the mid 1990s, including the pivotal group show Remote Viewing at the Whitney Museum of American Art (2005). Ross is currently included in Spaced Out: Migration into the Interior, a group exhibition at Red Bull Studios, New York, curated by Phong Bui.

  • Installation Views
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    • Alexander Ross Untitled, 2014 oil on canvas 52 x 60 in 132.1 x 152.4 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      52 x 60 in
      132.1 x 152.4 cm
    • Alexander Ross Untitled, 2014 oil on canvas 60 x 50 in 152.4 x 127 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      60 x 50 in
      152.4 x 127 cm
    • Alexander Ross Untitled, 2014 oil on canvas 64 x 52 in 162.6 x 132.1 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      64 x 52 in
      162.6 x 132.1 cm
    • Alexander Ross Untitled, 2014 crayon on paper 22 1/4 x 16 3/4 in 56.5 x 42.5 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      22 1/4 x 16 3/4 in
      56.5 x 42.5 cm
    • Alexander Ross Untitled, 2014 crayon on paper 22 1/4 x 28 1/2 in 56.5 x 72.4 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      22 1/4 x 28 1/2 in
      56.5 x 72.4 cm
    • Alexander Ross Untitled, 2014 crayon on paper 13 1/4 x 17 3/4 in 33.7 x 45.1 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      13 1/4 x 17 3/4 in
      33.7 x 45.1 cm
    • Alexander Ross Untitled, 2014 oil on canvas 62 x 54 in 157.5 x 137.2 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      62 x 54 in
      157.5 x 137.2 cm
    • Alexander Ross Untitled, 2014 oil on canvas 90 x 79 in 228.6 x 200.7 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      90 x 79 in
      228.6 x 200.7 cm
    • Alexander Ross Untitled, 2014 oil on canvas 54 x 58 in 137.2 x 147.3 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      54 x 58 in
      137.2 x 147.3 cm
    • Alexander Ross Untitled, 2014 oil on canvas 60 x 50 in 152.4 x 127 cm
      Alexander Ross
      Untitled, 2014
      oil on canvas
      60 x 50 in
      152.4 x 127 cm
    • Alexander Ross Untitled, 2014 crayon on paper 30 x 22 1/2 in 76.2 x 57.2 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      30 x 22 1/2 in
      76.2 x 57.2 cm
    • Alexander Ross Untitled, 2014 crayon on paper 30 1/8 x 22 3/8 in 76.5 x 56.8 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      30 1/8 x 22 3/8 in
      76.5 x 56.8 cm
    • Alexander Ross Untitled, 2014 crayon on paper 27 x 22 1/4 in 68.6 x 56.5 cm
      Alexander Ross
      Untitled, 2014
      crayon on paper
      27 x 22 1/4 in
      68.6 x 56.5 cm
  • Press

    • News

      Goings on About Town: Alexander Ross

      The New Yorker November 27, 2014
      Animal, vegetable, or mineral? The answer’s all three in the wildly imagined, if mannered, new paintings of this mid-career American artist. Ross combines portrait, still-life, and landscape, with a nod...
    • News

      Hybrids, Mutants: Alexander Ross at David Nolan

      David Brody · artcritical November 23, 2014
      The painting and drawing practices of Alexander Ross, always in fundamental opposition, have increasingly been cross-pollinating. The paintings create photorealist illusions, and are thus, to a high degree, preordained. They...
    • News

      Art in Review: Alexander Ross: ‘Recent Terrestrials’

      Ken Johnson · The New York Times November 13, 2014
      Why do painters still paint? One reason is that it’s an efficient way to obsess over the insoluble mind-body problem . People have physical bodies and nonphysical consciousness, but no...
  • Artist
    • ALEXANDER ROSS

      ALEXANDER ROSS

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