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SANDRA VÁSQUEZ DE LA HORRA: Entre el cielo y la tierra,

January 9 - February 15, 2013

SANDRA VÁSQUEZ DE LA HORRA: Entre el cielo y la tierra

Past exhibition
  • Overview
  • Installation Views
  • Press
  • Artist
  • Overview
    SANDRA VÁSQUEZ DE LA HORRA, Entre el cielo y la tierra

    For Sandra Vásquez de la Horra's second solo show at David Nolan Gallery, the artist has produced a suite of new drawings that are being presented under the title Entre el cielo y la tierra. Continuing the methods developed in her earlier work, Vásquez de la Horra produces graphite drawings that are completed by being dipped in wax. Bounded by this framework, the artist continues to deepen her focus into the themes that inform her work, producing imagery ever more dreamlike and evocative yet dark and guarded. Vásquez de la Horra will be presenting a number of drawings from her participation in the 30th São Paulo Biennial in juxtaposition with the new works made for the exhibition.

    Born in Chile in 1967, Vásquez de la Horra grew up under the Pinochet regime. Drawing from both this cultural history as well as her personal experiences, Vásquez de la Horra's works are forceful images that demand a reaction from the viewer. Elegantly modeled with fluid, confident lines, the humanoid figures possess immediate force. Drawing from a wide range of literary and mythological sources, the artist depicts hybrid figures and inscrutable objects, presenting scenes that feel surprisingly familiar. The simplicity of form is offset by the mysteriousness of the shading and by the monochromatic austerity. Only in brief accents does the artist add color, dramatizing fragments of text that augment and complicate the imagery.

    Though sexual acts, folk figures, death, and other motifs reappear in the works, each drawing exists as a self-contained entity. The figures nearly always float ambiguously over an unmarked background, each a unique vignette that recalls the spatial confusion of dreams and memories. When the drawings are installed in a large salon-style group, their truncated narratives play off one another, underscoring the poetics achieved through sparse means.

    The title of the show translates as "between heaven and earth," suggesting a material and spiritual totality, the complete range of possibilities. Ecclesiastes 1:14 reads "I have seen all the works that are done under the sun; and, behold, all is vanity and vexation of spirit." Vásquez de la Horra's impenetrable scenes are similarly foreboding, as a sense of unease – a prophetic doom – permeates the works. In these most recent works, the artist draws from conspiracy theorist David Icke's reptilian master race, the "lost" continent and cultures of Lemuria, and the ritualistic orgies and initiation rites of Stanley Kubrick's Eyes Wide Shut. Vásquez de la Horra's recent experiences in detoxing and cleansing left her unusually sensitive, with the dreams and conversations that followed impacting her work greatly. By denying recourse to straightforward narratives and stable imagery, Vásquez de la Horra's drawings undermine rationalized categorization and resist secure meaning. This mastery of the mythological and symbolic, and the feedback between dreams and social realities, has led Vásquez de la Horra's work to be compared to that of Henry Darger, Odilon Redon, Louise Bourgeois, and Francisco de Goya.

    Sandra Vásquez de la Horra graduated from the University for Design in Viña del Mar, Chile in 1994, and completed post-graduate studies at the Kunsthochschule für Medien, Cologne in 2003. She attended the famous Kunstakademie Düsseldorf from 1995 to 2002, studying under Jannis Kounellis and Rosemarie Trockel. Vásquez de la Horra has been exhibited at the Centre Pompidou, Paris; the Museum Kunst Palast, Düsseldorf; and the Bonnefantenmuseum, Maastricht, Holland. In 2009, she won the Drawing Prize of the Guerlain Contemporary Art Foundation. In 2012, Vásquez de la Horra participated in The Imminence of Poetics, the 30th São Paulo Biennial, curated by Luis Pérez-Oramas.

    Sandra Vásquez de la Horra currently lives and works in Berlin, Germany.

  • Installation Views
    Open a larger version of the following image in a popup: Sv Installation 15
    Open a larger version of the following image in a popup: Sv Installation 01
    Open a larger version of the following image in a popup: Sv Installation 03
    Open a larger version of the following image in a popup: Sv Installation 05
    Open a larger version of the following image in a popup: Sv Installation 10
    Open a larger version of the following image in a popup: Sv Installation 13
    Open a larger version of the following image in a popup: Sv Installation 12
    Open a larger version of the following image in a popup: Sv Installation 14
    • Sandra Vásquez de la Horra Reptiliana (Reptilian), 2012 graphite and wax on paper 30 x 22 in 76 x 56 cm
      Sandra Vásquez de la Horra
      Reptiliana (Reptilian), 2012
      graphite and wax on paper
      30 x 22 in
      76 x 56 cm
    • Sandra Vásquez de la Horra Entre el cielo y la tierra (Between heaven and earth), 2012 graphite and wax on paper 39 3/8 x 55 1/8 in 100 x 140 cm
      Sandra Vásquez de la Horra
      Entre el cielo y la tierra (Between heaven and earth), 2012
      graphite and wax on paper
      39 3/8 x 55 1/8 in
      100 x 140 cm
    • Sandra Vásquez de la Horra Memorias Lemurianas (Memories of the Lemurians), 2012 graphite and wax on paper 30 x 22 in 76 x 56 cm
      Sandra Vásquez de la Horra
      Memorias Lemurianas (Memories of the Lemurians), 2012
      graphite and wax on paper
      30 x 22 in
      76 x 56 cm
    • Sandra Vásquez de la Horra Siempre bien acompanada (Good company), 2012 graphite and wax on paper 21 7/8 x 30 in 55.5 x 76 cm
      Sandra Vásquez de la Horra
      Siempre bien acompanada (Good company), 2012
      graphite and wax on paper
      21 7/8 x 30 in
      55.5 x 76 cm
    • Sandra Vásquez de la Horra El viaje de Olokun (Olokun's Journey), 2012 graphite and wax on paper 40 x 28 1/2 in 101.5 x 72.5 cm
      Sandra Vásquez de la Horra
      El viaje de Olokun (Olokun's Journey), 2012
      graphite and wax on paper
      40 x 28 1/2 in
      101.5 x 72.5 cm
    • Sandra Vásquez de la Horra El espiritu del ciervo (The spirit of the deer), 2012 graphite and wax on paper 40 1/8 x 27 1/2 in 102 x 70 cm
      Sandra Vásquez de la Horra
      El espiritu del ciervo (The spirit of the deer), 2012
      graphite and wax on paper
      40 1/8 x 27 1/2 in
      102 x 70 cm
    • Sandra Vásquez de la Horra En el hombro de San Cristobal (On the shoulders of San Cristobal), 2012 graphite and wax on paper 39 1/4 x 27 1/2 in 99.7 x 70 cm
      Sandra Vásquez de la Horra
      En el hombro de San Cristobal (On the shoulders of San Cristobal), 2012
      graphite and wax on paper
      39 1/4 x 27 1/2 in
      99.7 x 70 cm
    • Sandra Vásquez de la Horra La dama del castillo (The lady of the castle), 2012 graphite and wax on paper 39 1/8 x 27 1/2 in 99.4 x 70 cm
      Sandra Vásquez de la Horra
      La dama del castillo (The lady of the castle), 2012
      graphite and wax on paper
      39 1/8 x 27 1/2 in
      99.4 x 70 cm
    • Sandra Vásquez de la Horra Seres de Ulratumba (Creatures of the Afterlife), 2012 graphite and wax on paper 40 1/8 x 28 3/4 in 102 x 73 cm
      Sandra Vásquez de la Horra
      Seres de Ulratumba (Creatures of the Afterlife), 2012
      graphite and wax on paper
      40 1/8 x 28 3/4 in
      102 x 73 cm
    • Sandra Vásquez de la Horra Venciendo a Hydra (Beating the Hydra), 2012 graphite and wax on paper 30 x 22 in 76 x 56 cm
      Sandra Vásquez de la Horra
      Venciendo a Hydra (Beating the Hydra), 2012
      graphite and wax on paper
      30 x 22 in
      76 x 56 cm
    • Sandra Vásquez de la Horra Caballito (Hobbyhorse), 2012 graphite and wax on paper 14 3/8 x 10 1/2 in 36.6 x 26.8 cm
      Sandra Vásquez de la Horra
      Caballito (Hobbyhorse), 2012
      graphite and wax on paper
      14 3/8 x 10 1/2 in
      36.6 x 26.8 cm
    • Sandra Vásquez de la Horra Cortejo de la cortesana (Courtship of courtesan), 2012 graphite and wax on paper 14 1/8 x 10 5/8 in 35.9 x 27 cm
      Sandra Vásquez de la Horra
      Cortejo de la cortesana (Courtship of courtesan), 2012
      graphite and wax on paper
      14 1/8 x 10 5/8 in
      35.9 x 27 cm
    • Sandra Vásquez de la Horra Orgia reptiliana II (Reptilian orgy II), 2012 graphite and wax on paper 30 x 44 1/4 in 76 x 112.5 cm
      Sandra Vásquez de la Horra
      Orgia reptiliana II (Reptilian orgy II), 2012
      graphite and wax on paper
      30 x 44 1/4 in
      76 x 112.5 cm
  • Press

    • News

      Sandra Vásquez de la Horra, "Entre el cielo y la tierra"

      Art + Auction March 27, 2013
      Although very well established in Europe, Chilean-born, Berlin-based Vásquez de la Horra is still being discovered by collectors on this side of the Atlantic, but her base here is growing:...
    • News

      Sandra Vásquez de la Horra, "Entre el cielo y la tierra"

      Paul Laster · Time Out New York January 18, 2013
      A Chilean artist who grew up under the oppressive Pinochet regime, Sandra Vásquez de la Horra studied graphic design and typography in her homeland before moving to Germany in 1995....
  • Artist
    • SANDRA VÁSQUEZ DE LA HORRA

      SANDRA VÁSQUEZ DE LA HORRA

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