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IAN HAMILTON FINLAY: Camouflage,

November 4 - December 4, 2009

IAN HAMILTON FINLAY: Camouflage

Past exhibition
  • Overview
  • INSTALLATION SHOTS
  • Artist
  • Overview

    "Camouflage is the last form of classical landscape painting. It represents not this tree or that field but Fields and Trees."

    —Ian Hamilton Finlay

    David Nolan Gallery is pleased to announce the opening of Camouflage, an installation of sculptures and prints by the renowned Scottish artist, Ian Hamilton Finlay (b. 1925, Nassau, the Bahamas - d. 2006, Lanark, Scotland). The exhibition at David Nolan Gallery will consist of ten stone, bronze and plaster sculptures and related prints, on view from November 5 through December 12, 2009. A concurrent exhibition of Finlay's printed works from Wild Hawthorn Press will also be on view at Paul Kasmin Gallery at 511 West 27th Street from November 5 – November 28, 2009.

    Camouflage exists in the natural world as a mode of defense, primarily using coloration to conceal and obscure. It was not until modern times that camouflage became widely adopted in military strategy to thwart enemies. This exhibition, consisting of works from 1987 through 2002, explores camouflage as part of a dialectic between war (or culture, for Finlay) and nature.

    Language is the central subject of Finlay's works. A writer of Concrete poetry—a genre that understood the visual arrangement of words to be just as important in a poem as rhythm and rhyme—Finlay took literally the Greek word poiesis, meaning "making," and fused words with sculpture. These inscribed objects have not only appeared internationally in galleries and museums but also throughout his most well known work of art, the garden of Little Sparta, located outside of Edinburgh. Containing flowers, trees, grasses and bodies of water, Little Sparta could be considered the artist's greatest epic poem. Finlay began the garden with his wife Sue in the 1960s, and Scottish artists collaborated with him to create the objects for the garden, which he purposefully placed throughout the landscape to conjure up other worlds. Finlay was not only a poet and a visual artist, but also a philosopher and historian. He was interested in Western culture generally, and he made the garden of Little Sparta a locus of multifaceted representation of the ideas that emerged from his lifelong study of the history of gardening, Modern art, the French Revolution, Classicism, the technology and aesthetics of World War II warfare, and the sea. Little Sparta represents Finlay's pointed critique of the modern sculpture garden, whose environment was by definition at odds with the art objects placed therein. Words, ideas, and objects are in constant discourse with nature in Little Sparta.

    Finlay founded Wild Hawthorn Press with Jessie McGuffie Sheeler, initially to introduce contemporary artists to Scotland, and over time it came to exclusively produce Finlay's books, pamphlets, and prints in small editions. In the graphic works, words become pure signs. Through collaborations with typographers and printmakers, Finlay composed clever, piercing, printed works with terse puns and phrases that sparked tension between words and things.

    Ian Hamilton Finlay's works have been featured in exhibitions worldwide and they appear in public as well as numerous private collections. This is Finlay's seventh exhibition with David Nolan Gallery.

  • INSTALLATION SHOTS

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    • Ian Hamilton Finlay Aphrodite of the Pastoral, 1993 plaster and US Army desert sand camouflage jacket 60 1/4 x 18 x 21 in (153 x 45.7 x 53.3 cm)
      Ian Hamilton Finlay
      Aphrodite of the Pastoral, 1993
      plaster and US Army desert sand camouflage jacket
      60 1/4 x 18 x 21 in (153 x 45.7 x 53.3 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAphrodite%20of%20the%20Pastoral%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1993%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eplaster%20and%20US%20Army%20desert%20sand%20camouflage%20jacket%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E60%201/4%20x%2018%20x%2021%20in%20%28153%20x%2045.7%20x%2053.3%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Man With Panzerschreck, 1993 plaster and metal 61 x 17 3/8 x 19 1/4 in (155 x 44 x 49 cm)
      Ian Hamilton Finlay
      Man With Panzerschreck, 1993
      plaster and metal
      61 x 17 3/8 x 19 1/4 in (155 x 44 x 49 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMan%20With%20Panzerschreck%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1993%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eplaster%20and%20metal%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20x%2017%203/8%20x%2019%201/4%20in%20%28155%20x%2044%20x%2049%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Every Goal Negates (L. Feuerbach), with John Andrew, 1987 stone 16 1/8 x 106 1/4 x 1 1/8 in (41 x 270 x 3 cm)
      Ian Hamilton Finlay
      Every Goal Negates (L. Feuerbach), with John Andrew, 1987
      stone
      16 1/8 x 106 1/4 x 1 1/8 in (41 x 270 x 3 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EEvery%20Goal%20Negates%20%28L.%20Feuerbach%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3Ewith%20John%20Andrew%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1987%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Estone%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E16%201/8%20x%20106%201/4%20x%201%201/8%20in%20%2841%20x%20270%20x%203%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Proposal for a Wall (Spitfire Segments/ Messerschmitt Mottle), with John Sellman, 1991 two stone segments, one white and one red 11 x 31 7/8 x 3 1/8 in (28 x 81 x 8 cm)
      Ian Hamilton Finlay
      Proposal for a Wall (Spitfire Segments/ Messerschmitt Mottle), with John Sellman, 1991
      two stone segments, one white and one red
      11 x 31 7/8 x 3 1/8 in (28 x 81 x 8 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EProposal%20for%20a%20Wall%20%28Spitfire%20Segments/%20Messerschmitt%20Mottle%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3Ewith%20John%20Sellman%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1991%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Etwo%20stone%20segments%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eone%20white%20and%20one%20red%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E11%20x%2031%207/8%20x%203%201/8%20in%20%2828%20x%2081%20x%208%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Six Columns (3 Camouflage/3 Killrings), with Catherine Lovegrove, 1991 fiberglass each: 101 1/2 x 15 3/4 x 15 3/4 in (258 x 40 x 40 cm)
      Ian Hamilton Finlay
      Six Columns (3 Camouflage/3 Killrings), with Catherine Lovegrove, 1991
      fiberglass
      each: 101 1/2 x 15 3/4 x 15 3/4 in (258 x 40 x 40 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESix%20Columns%20%283%20Camouflage/3%20Killrings%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3Ewith%20Catherine%20Lovegrove%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1991%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Efiberglass%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Eeach%3A%20101%201/2%20x%2015%203/4%20x%2015%203/4%20in%20%28258%20x%2040%20x%2040%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Age Quod Agis / Rubbing Post for a Wild Boar, 1997 stone, with Peter Coates 60 1/4 x 8 1/8 in (153 x 20.6 cm)
      Ian Hamilton Finlay
      Age Quod Agis / Rubbing Post for a Wild Boar, 1997
      stone, with Peter Coates
      60 1/4 x 8 1/8 in (153 x 20.6 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAge%20Quod%20Agis%20/%20Rubbing%20Post%20for%20a%20Wild%20Boar%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1997%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Estone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewith%20Peter%20Coates%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E60%201/4%20x%208%201/8%20in%20%28153%20x%2020.6%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Dryad, 1987 stone and metal, with John Sellman and Eva Bai 74 x 15 1/2 x 15 1/2 in (188 x 39.5 x 39.5 cm)
      Ian Hamilton Finlay
      Dryad, 1987
      stone and metal, with John Sellman and Eva Bai
      74 x 15 1/2 x 15 1/2 in (188 x 39.5 x 39.5 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EIan%20Hamilton%20Finlay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDryad%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1987%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Estone%20and%20metal%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewith%20John%20Sellman%20and%20Eva%20Bai%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E74%20x%2015%201/2%20x%2015%201/2%20in%20%28188%20x%2039.5%20x%2039.5%20cm%29%3C/div%3E
    • Ian Hamilton Finlay Ratio Ultima Regum (The Last Argument of Kings), with John Andrew and John Brazenall, 2002 bronze 8 x 24 x 2 in 20.3 x 61 x 5.1 cm
      Ian Hamilton Finlay
      Ratio Ultima Regum (The Last Argument of Kings), with John Andrew and John Brazenall, 2002
      bronze
      8 x 24 x 2 in
      20.3 x 61 x 5.1 cm
    • Ian Hamilton Finlay Order is Repetition, with John Andrew and John Brazenall, 2001 bronze 9 1/2 x 18 3/4 x 3 inches
      Ian Hamilton Finlay
      Order is Repetition, with John Andrew and John Brazenall, 2001
      bronze
      9 1/2 x 18 3/4 x 3 inches
    • Ian Hamilton Finlay Enigma, with John Brazenall, 2002 bronze 17 1/2 x 45 1/2 x 7 inches 44.5 x 115.6 x 17.8 cm
      Ian Hamilton Finlay
      Enigma, with John Brazenall, 2002
      bronze
      17 1/2 x 45 1/2 x 7 inches
      44.5 x 115.6 x 17.8 cm
  • Artist
    • IAN HAMILTON FINLAY

      IAN HAMILTON FINLAY

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