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THE SYSTEM OF OBJECTS: Online Exhibition | Summer Series: Part 2 of 3,

September 2 - 30, 2020

THE SYSTEM OF OBJECTS: Online Exhibition | Summer Series: Part 2 of 3

Past exhibition
  • Overview
  • Overview

    For our second online exhibition this summer, David Nolan Gallery is pleased to present The System of Objects, a selection of works that focuses on objects, their depiction, and their implicit meaning. 

    In Jean Baudrillard’s seminal The System of Objects (1968) the author classifies everyday objects as “functional, nonfunctional, and meta-functional.” Within those categories, Baudrillard explores the semiotics of materialism and critiques the commodification of everyday life. He positions that commodities are not merely characterized by their use-and-exchange-value (e.g. Marx), but also their “sign-value,” i.e. their style, prestige, power, etc. For Baudrillard, a society organized around consumption and the value expression of commodities will inevitably lead to a condition of “total alienation.” 

    The selection of works in this exhibition aims to blur the boundaries between objects and their (mis)use. What gives each work meaning is often borne out of the space between the object and its (mis)perceived function.  From the modified utilitarian object (Artschwager’s Mirror; Kippenberger’s Schreber) to the inherently “useless” yet familiar forms (Gall; Kendrick; Le Va) to the once functional object rendered useless (Hatoum; Turk). They owe much to Duchamp’s assisted and rectified ready-mades, for their spirit of openness and communication, and for their disruption of the everyday banality of consumption. 

    Rather than focusing on objects for their mere formal or fetishistic qualities, the works gathered here reflect an open-ended approach to representation, i.e. object as presence, as facsimile; as stand-in, et al. While some objects retain their inherent qualities, others inevitably depend on outside stimuli for their meaning. And in turn the system of objects, with its signs and qualifiers, forms the meaning of everyday life.  

    This online exhibition features artworks by Richard Artschwager, Ian Hamilton Finlay, Neil Gall, Victoria Gitman, Mona Hatoum, Martin Kippenberger, Mel Kendrick, Barry Le Va, Adam McEwen, Jonathan Meese, Ciprian Mureșan, Al Taylor, Gavin Turk, and Jorinde Voigt.

  • VICTORIA GITMAN

  • Victoria Gitman (b. 1972, Argentina) meticulously paints “portraits” of beaded and fur purses that she finds rummaging through thrift stores...
    Victoria Gitman (b. 1972, Argentina) meticulously paints “portraits” of beaded and fur purses that she finds rummaging through thrift stores and flea markets. Each work is rendered from close, direct observation, creating sensual surfaces that are soft and seductive yet austere in their precision and deliberate in references to early-and-mid-20th century modernists. For Gitman these inexpensive “discarded” objects are transmuted into things of beauty and luxury, emitting the aura of Old Master still life paintings. 
    • Victoria Gitman On Display, 2006 graphite on mylar 7 1/4 x 9 3/4 in (18.4 x 24.8 cm)
      Victoria Gitman
      On Display, 2006
      graphite on mylar
      7 1/4 x 9 3/4 in (18.4 x 24.8 cm)
    • Victoria Gitman On Display, 2007 graphite on mylar 9 x 9 1/2 in (22.9 x 24.1 cm) framed: 14 x 14 3/8 x 1 1/2 in (35.6 x 36.5 x 3.8 cm)
      Victoria Gitman
      On Display, 2007
      graphite on mylar
      9 x 9 1/2 in (22.9 x 24.1 cm)
      framed: 14 x 14 3/8 x 1 1/2 in (35.6 x 36.5 x 3.8 cm)
    • Victoria Gitman Untitled, 2006 oil on board 4 3/8 x 6 in (11.1 x 15.2 cm) 10 x 11 1/2 x 1 3/4 in (25.4 x 29.2 x 4.45 cm)
      Victoria Gitman
      Untitled, 2006
      oil on board
      4 3/8 x 6 in (11.1 x 15.2 cm)
      10 x 11 1/2 x 1 3/4 in (25.4 x 29.2 x 4.45 cm)
  • MEL KENDRICK

  • Mel Kendrick’s (b. 1949, Boston, MA) thoroughgoing practice has involved the use of cast bronze, concrete, a variety of woods,...
    Mel Kendrick’s (b. 1949, Boston, MA) thoroughgoing practice has involved the use of cast bronze, concrete, a variety of woods, rubber, resin, as well as investigations with cast paper. Kendrick addresses philosophical, conceptual, and fundamental questions around sculpture: namely, the relationship between the object as we experience it and the clearly evident means by which it was created. 
    • Mel Kendrick Untitled (Group of Five), 2002 Japan color on poplar each: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
      Mel Kendrick
      Untitled (Group of Five), 2002
      Japan color on poplar
      each: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
    • Mel Kendrick Red Holes 3, 2015 mahogany and Japan color 20 3/4 x 24 x 5 in (52.7 x 61 x 12.7 cm) base: 23 x 16 x 44 in (58.4 x 40.6 x 111.8 cm)
      Mel Kendrick
      Red Holes 3, 2015
      mahogany and Japan color
      20 3/4 x 24 x 5 in (52.7 x 61 x 12.7 cm)
      base: 23 x 16 x 44 in (58.4 x 40.6 x 111.8 cm)
    • Mel Kendrick 6 Green Blocks, 2004 walnut and Japan color each: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
      Mel Kendrick
      6 Green Blocks, 2004
      walnut and Japan color
      each: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
    • Mel Kendrick Untitled (Group of Four), 2002 Japan color on oiled Padouk each: 6 x 2 x 2 in (15 x 5 x 5 cm)
      Mel Kendrick
      Untitled (Group of Four), 2002
      Japan color on oiled Padouk
      each: 6 x 2 x 2 in (15 x 5 x 5 cm)
  • CIPRIAN MUREŞAN

  • Ciprian Mureșan (b. 1977, Romania) is best known for reinventing and recontextualizing canonical images and literary works across various media....
    Ciprian Mureșan (b. 1977, Romania) is best known for reinventing and recontextualizing canonical images and literary works across various media. His Palimpsest drawings meticulously reproduce and superimpose art images and advertisements from various publications to form an indexical “map” that adds a layer of mediation between the viewer and original artwork; while his sardonic sculptural works upend conventions of politics and commodity culture.
    • Ciprian Mureșan The Wizard, 2011 found vending machine and rubber balls 66 x 28 x 28 in (167.6 x 71.1 x 71.1 cm)
      Ciprian Mureșan
      The Wizard, 2011
      found vending machine and rubber balls
      66 x 28 x 28 in (167.6 x 71.1 x 71.1 cm)
    • Ciprian Mureșan Dead Weight, 2013 etchings, plywood, mahogany 24 x 28 x 24 in (61 x 71.1 x 61 cm)
      Ciprian Mureșan
      Dead Weight, 2013
      etchings, plywood, mahogany
      24 x 28 x 24 in (61 x 71.1 x 61 cm)
    • Ciprian Mureșan All images from a December 2016 issue of Afterall magazine, 2017 graphite on paper 29 3/4 x 20 13/16 in (75.6 x 52.9 cm)
      Ciprian Mureșan
      All images from a December 2016 issue of Afterall magazine, 2017
      graphite on paper
      29 3/4 x 20 13/16 in (75.6 x 52.9 cm)
    • Ciprian Mureșan All Images from a December 2016 issue of Art in America magazine, 2017 graphite on paper 28 3/4 x 20 1/8 in (73 x 51.1 cm)
      Ciprian Mureșan
      All Images from a December 2016 issue of Art in America magazine, 2017
      graphite on paper
      28 3/4 x 20 1/8 in (73 x 51.1 cm)
  • GAVIN TURK

    • Gavin Turk Conduit, 2013 painted bronze 10 1/4 x 70 x 11 13/16 in (26 x 178 x 30 cm)
      Gavin Turk
      Conduit, 2013
      painted bronze
      10 1/4 x 70 x 11 13/16 in (26 x 178 x 30 cm)
    • Gavin Turk Pipe Dream, 2013 blown glass on steel table 5 1/8 x 74 13/16 x 15 3/4 in (13 x 190 x 40 cm) table: 19 1/4 x 79 15/16 x 34 1/4 in (49 x 203 x 87 cm)
      Gavin Turk
      Pipe Dream, 2013
      blown glass on steel table
      5 1/8 x 74 13/16 x 15 3/4 in (13 x 190 x 40 cm)
      table: 19 1/4 x 79 15/16 x 34 1/4 in (49 x 203 x 87 cm)
    • Gavin Turk Spent Match, 2005 painted bronze 1/16 x 1/16 x 1 3/16 in (.2 x .2 x 3 cm)
      Gavin Turk
      Spent Match, 2005
      painted bronze
      1/16 x 1/16 x 1 3/16 in (.2 x .2 x 3 cm)
    • Gavin Turk Turkey Foil Box x 4, 2007 silkscreen on plywood 11 x 25 3/8 x 2 3/4 in (28 x 64.5 x 7 cm)
      Gavin Turk
      Turkey Foil Box x 4, 2007
      silkscreen on plywood
      11 x 25 3/8 x 2 3/4 in (28 x 64.5 x 7 cm)
    • Richard Artschwager Untitled (Six Objects), 1974 ink on paper 24 x 38 in (61 x 96.5 cm)
      Richard Artschwager
      Untitled (Six Objects), 1974
      ink on paper
      24 x 38 in (61 x 96.5 cm)
    • Richard Artschwager Brush blp, 1988 wood and bristles 13 x 16 x 24 in (33 x 40.6 x 61 cm)
      Richard Artschwager
      Brush blp, 1988
      wood and bristles
      13 x 16 x 24 in (33 x 40.6 x 61 cm)
    • Richard Artschwager Locations, 1969 formica on wood and 5 blps : wood, glass, plexiglas, mirror and rubberized horsehair with formica, metal chain 15 x 10 3/4 x 5 in (case)
      Richard Artschwager
      Locations, 1969
      formica on wood and 5 blps : wood, glass, plexiglas, mirror and rubberized horsehair with formica, metal chain
      15 x 10 3/4 x 5 in (case)
    • Richard Artschwager Mirror, 1988 formica and enamel on wood 30 3/8 x 24 3/8 x 4 in (77.2 x 61.9 x 10.2 cm) Edition of 25 plus 3 artist's proofs
      Richard Artschwager
      Mirror, 1988
      formica and enamel on wood
      30 3/8 x 24 3/8 x 4 in (77.2 x 61.9 x 10.2 cm)
      Edition of 25 plus 3 artist's proofs
    • Ian Hamilton Finlay Urn 1794, 1993 stone, with Peter Coates 17 3/4 x 10 5/8 x 10 5/8 in (45 x 27 x 27 cm)
      Ian Hamilton Finlay
      Urn 1794, 1993
      stone, with Peter Coates
      17 3/4 x 10 5/8 x 10 5/8 in (45 x 27 x 27 cm)
    • Ian Hamilton Finlay Watering Can (Shenstone), 1995 bronze, with John Andrew 15 3/4 x 23 1/2 x 11 3/4 in (40 x 60 x 30 cm)
      Ian Hamilton Finlay
      Watering Can (Shenstone), 1995
      bronze, with John Andrew
      15 3/4 x 23 1/2 x 11 3/4 in (40 x 60 x 30 cm)
    • Neil Gall Fold-and-Cut, 2019 acrylic on cast jesmonite; two parts overall: 12 1/4 x 11 3/4 x 11 1/8 in (31 x 30 x 28 cm) top: 6 1/4 x 5 7/8 x 5 1/2 in (16 x 15 x 14 cm) bottom: 5 7/8 x 5 7/8 x 5 1/2 in (15 x 15 x 14 cm)
      Neil Gall
      Fold-and-Cut, 2019
      acrylic on cast jesmonite; two parts
      overall: 12 1/4 x 11 3/4 x 11 1/8 in (31 x 30 x 28 cm)
      top: 6 1/4 x 5 7/8 x 5 1/2 in (16 x 15 x 14 cm)
      bottom: 5 7/8 x 5 7/8 x 5 1/2 in (15 x 15 x 14 cm)
    • Neil Gall Yo!, 2019 acrylic on Jesmonite 5 1/2 x 5 1/2 x 10 1/4 in (14 x 14 x 26 cm)
      Neil Gall
      Yo!, 2019
      acrylic on Jesmonite
      5 1/2 x 5 1/2 x 10 1/4 in (14 x 14 x 26 cm)
    • Neil Gall Blind Sculpture (Dinosaur Act), 2013 acrylic on bronze 5 7/8 x 4 3/4 x 6 3/8 in (15 x 12 x 16 cm)
      Neil Gall
      Blind Sculpture (Dinosaur Act), 2013
      acrylic on bronze
      5 7/8 x 4 3/4 x 6 3/8 in (15 x 12 x 16 cm)
    • Neil Gall On the Beach, 2011 oil on linen 76 1/8 x 97 3/4 in (193.5 x 248 cm)
      Neil Gall
      On the Beach, 2011
      oil on linen
      76 1/8 x 97 3/4 in (193.5 x 248 cm)
    • Victoria Gitman Untitled, 2006 oil on board 4 3/8 x 6 in (11.1 x 15.2 cm) 10 x 11 1/2 x 1 3/4 in (25.4 x 29.2 x 4.45 cm)
      Victoria Gitman
      Untitled, 2006
      oil on board
      4 3/8 x 6 in (11.1 x 15.2 cm)
      10 x 11 1/2 x 1 3/4 in (25.4 x 29.2 x 4.45 cm)
    • Victoria Gitman On Display, 2006 graphite on mylar 7 1/4 x 9 3/4 in (18.4 x 24.8 cm)
      Victoria Gitman
      On Display, 2006
      graphite on mylar
      7 1/4 x 9 3/4 in (18.4 x 24.8 cm)
    • Victoria Gitman On Display, 2007 graphite on mylar 9 x 9 1/2 in (22.9 x 24.1 cm) framed: 14 x 14 3/8 x 1 1/2 in (35.6 x 36.5 x 3.8 cm)
      Victoria Gitman
      On Display, 2007
      graphite on mylar
      9 x 9 1/2 in (22.9 x 24.1 cm)
      framed: 14 x 14 3/8 x 1 1/2 in (35.6 x 36.5 x 3.8 cm)
    • Mona Hatoum YOU ARE STILL HERE, 2013 sandblasted mirrored glass and metal fixtures 15 x 11 1/2 in (38 x 29.2 cm) Edition of 15
      Mona Hatoum
      YOU ARE STILL HERE, 2013
      sandblasted mirrored glass and metal fixtures
      15 x 11 1/2 in (38 x 29.2 cm)
      Edition of 15
    • Mona Hatoum No Way II, 1996 enamel and stainless steel 10 3/4 x 8 3/4 x 5 in (27.3 x 22.2 x 12.7 cm) Edition 2 of 6, with 1 AP
      Mona Hatoum
      No Way II, 1996
      enamel and stainless steel
      10 3/4 x 8 3/4 x 5 in (27.3 x 22.2 x 12.7 cm)
      Edition 2 of 6, with 1 AP
    • Mel Kendrick Red Holes 3, 2015 mahogany and Japan color 20 3/4 x 24 x 5 in (52.7 x 61 x 12.7 cm) base: 23 x 16 x 44 in (58.4 x 40.6 x 111.8 cm)
      Mel Kendrick
      Red Holes 3, 2015
      mahogany and Japan color
      20 3/4 x 24 x 5 in (52.7 x 61 x 12.7 cm)
      base: 23 x 16 x 44 in (58.4 x 40.6 x 111.8 cm)
    • Mel Kendrick 6 Green Blocks, 2004 walnut and Japan color each: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
      Mel Kendrick
      6 Green Blocks, 2004
      walnut and Japan color
      each: 6 x 4 x 4 in (15.2 x 10.2 x 10.2 cm)
    • Mel Kendrick Untitled (Group of Five), 2002 Japan color on poplar each: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
      Mel Kendrick
      Untitled (Group of Five), 2002
      Japan color on poplar
      each: 4 3/4 x 2 x 2 in (12 x 5 x 5 cm)
    • Mel Kendrick Untitled (Group of Four), 2002 Japan color on oiled Padouk each: 6 x 2 x 2 in (15 x 5 x 5 cm)
      Mel Kendrick
      Untitled (Group of Four), 2002
      Japan color on oiled Padouk
      each: 6 x 2 x 2 in (15 x 5 x 5 cm)
    • Martin Kippenberger Schreber, 1995 cast resin 19 x 18 x 11 in (48.3 x 45.7 x 27.9 cm)
      Martin Kippenberger
      Schreber, 1995
      cast resin
      19 x 18 x 11 in (48.3 x 45.7 x 27.9 cm)
    • Barry Le Va Silent Diagrams - Reading #14, 2008 concrete, resin and aluminum concrete element: 18 x 28 x 22 in (45.72 x 71.12 x 55.88 cm) large resin element: 26 x 22 1/2 x 17 in (66.04 x 57.15 x 43.18 cm) each small resin element: 11 x 11 x 13 in (27.94 x 27.94 x 33.02 cm) aluminum bars: from 3 x 2 x 2 in to 20 x 2 x 2 in (from 7.62 x 5.08 x 5.08 cm to 50.8 x 5.08 x 5.08 cm)
      Barry Le Va
      Silent Diagrams - Reading #14, 2008
      concrete, resin and aluminum
      concrete element: 18 x 28 x 22 in (45.72 x 71.12 x 55.88 cm)
      large resin element: 26 x 22 1/2 x 17 in (66.04 x 57.15 x 43.18 cm)
      each small resin element: 11 x 11 x 13 in (27.94 x 27.94 x 33.02 cm)
      aluminum bars: from 3 x 2 x 2 in to 20 x 2 x 2 in (from 7.62 x 5.08 x 5.08 cm to 50.8 x 5.08 x 5.08 cm)
    • Jonathan Meese Untitled, 1993-1994 mixed media 20 7/8 x 19 3/4 x 12 in (53 x 50 x 30.5 cm)
      Jonathan Meese
      Untitled, 1993-1994
      mixed media
      20 7/8 x 19 3/4 x 12 in (53 x 50 x 30.5 cm)
    • Jonathan Meese Untitled (ISIS NAHRUNG ERDRUNE), 1999 mixed media 17 1/2 x 12 5/8 x 6 1/4 in (44.5 x 32 x 16 cm)
      Jonathan Meese
      Untitled (ISIS NAHRUNG ERDRUNE), 1999
      mixed media
      17 1/2 x 12 5/8 x 6 1/4 in (44.5 x 32 x 16 cm)
    • Jonathan Meese Untitled, 1994-1995 mixed media 6 x 15 3/4 x 7 in (15 x 40 x 18 cm)
      Jonathan Meese
      Untitled, 1994-1995
      mixed media
      6 x 15 3/4 x 7 in (15 x 40 x 18 cm)
    • Ciprian Mureșan Dead Weight, 2013 etchings, plywood, mahogany 24 x 28 x 24 in (61 x 71.1 x 61 cm)
      Ciprian Mureșan
      Dead Weight, 2013
      etchings, plywood, mahogany
      24 x 28 x 24 in (61 x 71.1 x 61 cm)
    • Ciprian Mureșan The Wizard, 2011 found vending machine and rubber balls 66 x 28 x 28 in (167.6 x 71.1 x 71.1 cm)
      Ciprian Mureșan
      The Wizard, 2011
      found vending machine and rubber balls
      66 x 28 x 28 in (167.6 x 71.1 x 71.1 cm)
    • Ciprian Mureșan All images from a December 2016 issue of Afterall magazine, 2017 graphite on paper 29 3/4 x 20 13/16 in (75.6 x 52.9 cm)
      Ciprian Mureșan
      All images from a December 2016 issue of Afterall magazine, 2017
      graphite on paper
      29 3/4 x 20 13/16 in (75.6 x 52.9 cm)
    • Ciprian Mureșan All Images from a December 2016 issue of Art in America magazine, 2017 graphite on paper 28 3/4 x 20 1/8 in (73 x 51.1 cm)
      Ciprian Mureșan
      All Images from a December 2016 issue of Art in America magazine, 2017
      graphite on paper
      28 3/4 x 20 1/8 in (73 x 51.1 cm)
    • Alexander Ross Untitled, 2000 oil on shaped canvas 60 x 57 in (152.4 x 144.8 cm)
      Alexander Ross
      Untitled, 2000
      oil on shaped canvas
      60 x 57 in (152.4 x 144.8 cm)
    • Al Taylor BAR CODES, 1993 ball point pen, ink and collage on paper 8 1/4 x 11 in (21 x 27.9 cm)
      Al Taylor
      BAR CODES, 1993
      ball point pen, ink and collage on paper
      8 1/4 x 11 in (21 x 27.9 cm)
    • Gavin Turk Conduit, 2013 painted bronze 10 1/4 x 70 x 11 13/16 in (26 x 178 x 30 cm)
      Gavin Turk
      Conduit, 2013
      painted bronze
      10 1/4 x 70 x 11 13/16 in (26 x 178 x 30 cm)
    • Gavin Turk Pipe Dream, 2013 blown glass on steel table 5 1/8 x 74 13/16 x 15 3/4 in (13 x 190 x 40 cm) table: 19 1/4 x 79 15/16 x 34 1/4 in (49 x 203 x 87 cm)
      Gavin Turk
      Pipe Dream, 2013
      blown glass on steel table
      5 1/8 x 74 13/16 x 15 3/4 in (13 x 190 x 40 cm)
      table: 19 1/4 x 79 15/16 x 34 1/4 in (49 x 203 x 87 cm)
    • Gavin Turk Spent Match, 2005 painted bronze 1/16 x 1/16 x 1 3/16 in (.2 x .2 x 3 cm)
      Gavin Turk
      Spent Match, 2005
      painted bronze
      1/16 x 1/16 x 1 3/16 in (.2 x .2 x 3 cm)
    • Gavin Turk Turkey Foil Box, 2007 silkscreen ink on plywood 2 3/4 x 25 5/8 x 2 3/4 in (7 x 65 x 7 cm)
      Gavin Turk
      Turkey Foil Box, 2007
      silkscreen ink on plywood
      2 3/4 x 25 5/8 x 2 3/4 in (7 x 65 x 7 cm)
    • Gavin Turk Turkey Foil Box x 4, 2007 silkscreen on plywood 11 x 25 3/8 x 2 3/4 in (28 x 64.5 x 7 cm)
      Gavin Turk
      Turkey Foil Box x 4, 2007
      silkscreen on plywood
      11 x 25 3/8 x 2 3/4 in (28 x 64.5 x 7 cm)
    • Jorinde Voigt About Stability Scope Nr. 6 Variation II, 2019 birch, whitewood, stain, and oil 14 1/8 x 36 5/8 x 21 5/8 in (36 x 93 x 55 cm)
      Jorinde Voigt
      About Stability Scope Nr. 6 Variation II, 2019
      birch, whitewood, stain, and oil
      14 1/8 x 36 5/8 x 21 5/8 in (36 x 93 x 55 cm)
    • Jorinde Voigt Sequence of Solidification I / Solidification 1, 2014 bronze, verdigris patina, wax, unique 23 5/8 x 4 x 3 3/4 in (60 x 10 x 9.5 cm)
      Jorinde Voigt
      Sequence of Solidification I / Solidification 1, 2014
      bronze, verdigris patina, wax, unique
      23 5/8 x 4 x 3 3/4 in (60 x 10 x 9.5 cm)
    • Jorinde Voigt Sequence of Solidification I / Solidification 12, 2014 bronze, verdigris patina, wax, unique 27 1/2 x 3 1/2 x 3 in (70 x 9 x 7.5 cm)
      Jorinde Voigt
      Sequence of Solidification I / Solidification 12, 2014
      bronze, verdigris patina, wax, unique
      27 1/2 x 3 1/2 x 3 in (70 x 9 x 7.5 cm)
    • Jorinde Voigt Grammatik VII, 2010 8 painted and lettered motorized propellers overall dimensions variable
      Jorinde Voigt
      Grammatik VII, 2010
      8 painted and lettered motorized propellers
      overall dimensions variable
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