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STAFF PICKS : First Edition ,

March 22 - May 31, 2025

STAFF PICKS : First Edition

Past exhibition
  • Dear Art Lover,

    We are pleased to present a curated selection of personal favorites from David Nolan Gallery's artist program and collection.

    As insiders who are immersed in the daily life of the gallery, we are in a unique position to connect intimately with the works we showcase. This selection reflects the pieces that have inspired and resonated with us most. While this initiative may evolve into something entirely new over time, for now, it's about sharing the works that we love and admire.

    We hope you enjoy exploring this collection as much as we enjoyed curating it for you.

    Cheers,
    Antoine, Gabriella, and Tharini 

  •  Antoine's PICKS

  • "The group of works I’ve selected leaves me questioning—what exactly is happening here?

    Whether it’s Le Va’s expansive felt floor piece, Fish’s small and meticulous drawing, or Kendrick’s intricate sculpture, one can sense an underlying process organizing the works—yet it remains elusive and difficult to fully decipher.

    It is that space between what I can sense but cannot fully articulate that keeps me returning to these artists’ works.

    And still, just as we begin to grasp the process, the works stay one step ahead, preserving part of their mystery and sense of open-endedness."

  • Julia Fish, Study for Window-Shadow @ S_y_d_n_e_y_S_y_d_n_e_y / Hermitage spectrum [ apparition ], 2023
    Artworks

    Julia Fish

    Study for Window-Shadow @ S_y_d_n_e_y_S_y_d_n_e_y / Hermitage spectrum [ apparition ], 2023
    archival ink with acrylic on printed paper
    11 x 17 in (27.9 x 43.2 cm)
  • Barry Le Va, Placed Parallel, 1967/2019
    Artworks

    Barry Le Va

    Placed Parallel, 1967/2019
    aluminum bars and felt
    dimensions variable
  • Al Taylor, BAR CODES, 1993
    Artworks

    Al Taylor

    BAR CODES, 1993
    ball point pen, ink and collage on paper
    8 1/4 x 11 in (21 x 27.9 cm)
  • Richard Artschwager, Running Man (triple), 2013
    Artworks

    Richard Artschwager

    Running Man (triple), 2013
    laminate and acrylic on Celotex in artist's frame
    21 1/4 x 25 1/2 x 8 in (54 x 64.8 x 20.3 cm)
  • Mel Kendrick, Clear Ideas (after Magritte), 2015
    Artworks

    Mel Kendrick

    Clear Ideas (after Magritte), 2015
    precast concrete
    75 x 24 x 27 in (188.6 x 61 x 67.9 cm)
  • Richard Tuttle, Gold, 2001
    Artworks

    Richard Tuttle

    Gold, 2001
    complete set of five aquatint, etching, and screenprints with chine collé and gold leaf additions, on textured Somerset paper, published by Brooke Alexander Editions, New York, with full margins
    each sheet: 14 3/4 x 14 3/4 in (37.5 x 37.5 cm)
    Edition of 25 plus 10 AP's (#1/25)
  • Ian Hamilton Finlay, Net Markers of the Disciples (with Gary Hincks), 2000
    Artworks

    Ian Hamilton Finlay

    Net Markers of the Disciples (with Gary Hincks), 2000
    lithograph
    13 x 17 3/4 in (33 x 45 cm)
  • Joe Zucker, Ghosts of Pont Ven, 2010
    Artworks

    Joe Zucker

    Ghosts of Pont Ven, 2010
    plasterboard
    14 x 14 in (35.6 x 35.6 cm)
  • Gabriella's PICKS
  • Erwin Pfrang, Untitled, 2019/20
    Artworks

    Erwin Pfrang

    Untitled, 2019/20
    "I chose this one because of its excellent composition - it looks like a thought bubble that momentarily formed in Pfrang's imagination and that he had to put onto paper. What could have turned into an unorganized scribble of lines is actually highly composed and harmonious. There is only a light suggestion of figuration showing Pfrang's ability to veer into abstraction without losing his strong figural capabilities."
  • Jorinde Voigt, Epicurus Letter to Pythocles II, 2013
    Artworks

    Jorinde Voigt

    Epicurus Letter to Pythocles II, 2013
    "When I first saw Jorinde Voigt's Epicurus Letter to Pythocles II I was mesmerized by its dazzling metallic elements, which are just the eye's starting point for what is a tremendously complex work of art. One in a suite of seven, Voigt finds a way to make visible some of the most complex ideas and phenomena that exist on Earth, like the reason the planet changes and theories of the formation of the universe. The interaction with the viewer this work elicits is unlike any other."
  • Chakaia Booker, Untitled, 1996
    Artworks

    Chakaia Booker

    Untitled, 1996
    "This early Chakaia Booker was recently hanging in our show Chakaia Booker: Empty Seat, and being able to spend time with it in that way allowed it to really unfold for me. Like many of Booker's works, I choose to see a certain motif in it that might not be present for others - I see a fast-moving snake, its forked tongue and its curved body - or even multiple slithering creatures. Another day, however, I might see a purely abstract work of art in the vein of the Abstract Expressionists, or another day a color study of the shiny black of the tire, like the great monochromatic works by Yves Klein or Robert Ryman."
  • Ray Yoshida, Untitled, c. 1971-72
    Artworks

    Ray Yoshida

    Untitled, c. 1971-72
    "In this work, you can see what made Ray Yoshida such a compelling artist and teacher. The influence of comic books is obvious, and this drawing reads like a page from one, each figure a different panel. The clear influence of pop culture is what draws me to this piece. What is also really evident is Yoshida's rich imagination and extraordinary skill, where even in a piece that may have been made in a single day you can see his innate compositional sensibilities and his artistic range, depicting Medusa-like figures and demure older women on the same page."
  • Mel Kendrick, Blue Sprawl, 2015-16
    Artworks

    Mel Kendrick

    Blue Sprawl, 2015-16
    "Mel Kendrick's Blue Sprawl is a large piece by the artist with an immense amount of detail. I gravitate toward Kendrick's clean lines and intuitive compositions, and this one feels like it defies gravity in many ways. The larger carvings rest on top of the thinner, smaller ones, and the whole piece looks like it might tumble at any moment - part of Kendrick's unique sort of wizardry."
  • George Grosz, Night Allegory, 1937
    Artworks

    George Grosz

    Night Allegory, 1937
    "In this eerie landscape by George Grosz we immediately see a humanlike, deep blue figure looming over the tendrils of leaves and ferns in the foreground. The small scope of this landscape makes it all the more mysterious - where are we? And does it even matter? I'm inclined to think not - Grosz focuses on a feeling rather than an accurate representation of a place, and those are the kinds of landscapes I always love best."
  • David Hartt, The Histories (after Cazabon), 2021
    Artworks

    David Hartt

    The Histories (after Cazabon), 2021
    "This intricate tapestry by David Hartt is related to a work by Trinidadian painter Michel-Jean Cazabon. Hartt works in many media, and the combination of his photographic skills with textile work creates a large-scale visual feast. The plethora of references - to colonialism, ancient history, art history, etc - that Hartt embeds beyond the work's richly textured surface add many layers of depth and meaning waiting to be discovered."
  • Tharini's PICKS 
  • "These selections come from admiration rather than analysis (heart, as opposed to the head), though everything—feelings and emotions, conversations, books, the internet, dreams, thoughts through the ether—flows together. Tracing origins feels like an exercise of futility; ideas emerge and intertwine.

    A few influences:

    • David's mention of Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful while I was reading about Abhinavagupta’s interpretation of the Rasa theory in Indian aesthetics. 

    • Ian Hamilton Finlay’s work and his unique relationship with words and poetry (with regard to the title especially)."
     
    Subtle Sublime

    Subtlety is a phenomenon. One could almost miss it. It doesn’t demand attention but invites one in; it doesn’t overwhelm, but lingers and unfolds slowly in silence. The word subtle stems from the Latin sub- (“under”) and tela (“web”), suggesting delicacy and hidden depth. Sublime derives from sublimis (“high” or “elevated”), implying transcendence beyond human grasp. The following works embody both—the quiet and intricate, the vast and meditative.

  • Young-Jae Lee, Untitled, c. 2000
    Artworks

    Young-Jae Lee

    Untitled, c. 2000
    "I think of Young-Jae Lee's vessels as containers of silence and stillness - quiet, but also vast. The delicate marks on the surface are delightful to look at."
  • Julia Fish, Study for Lightning, 1991
    Artworks

    Julia Fish

    Study for Lightning, 1991
    "This work of Julia Fish is unlike anything else I've seen from her. A fleeting illumination becomes the subject. She has drawn an ephemeral but immense force on paper."
  • Jorinde Voigt, Emotional Spectrum (26), 2016/2020
    Artworks

    Jorinde Voigt

    Emotional Spectrum (26), 2016/2020
    "Jorinde's intricate drawing pulls us into a world of complexity, and yet there is balance and beauty. The title of the work resonates with the image."
  • Enrico Baj, Console, 1961
    Artworks

    Enrico Baj

    Console, 1961
    "In this assemblage, Baj's artistry really comes through. The mirror suggests the infinite as well as places one into the work."
  • David Hartt, Reflector, 2022
    Artworks

    David Hartt

    Reflector, 2022
    "David Hart's reflecting egg sculpture continues this exploration of reflection but within a more symbolic form. The egg, a vessel of creation and transformation, holds within it the possibility of something beyond itself."
  • Paulo Pasta, Untitled, 2023
    Artworks

    Paulo Pasta

    Untitled, 2023
    "Paulo Pasta's large abstract painting, with its pastel shades gives off an emotion of a vast, quiet expanse. Like Rothko, this work is an  experience of color and form as something meditative."
  • Rodolfo Abularach, Untitled, 1966
    Artworks

    Rodolfo Abularach

    Untitled, 1966
    "The serpentine forms are deeply satisfying to behold. This is one of my favorite pieces and it is also quite different from the works Abularach is known for."
  • Joseph Cornell, Untitled, 1960s
    Artworks

    Joseph Cornell

    Untitled, 1960s
    "Finally, the esoteric notes in Joseph Cornell's small drawing invite a different kind of contemplation. Although this is a small work, there is a hint of the infinite in it."
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