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SANDRA VÁSQUEZ DE LA HORRA: América sin Fronteras,

March 15 - April 28, 2018

SANDRA VÁSQUEZ DE LA HORRA: América sin Fronteras

Past exhibition
  • Overview
  • Installation Views
  • PRESS
  • Artist
  • Overview
    SANDRA VÁSQUEZ DE LA HORRA, América sin Fronteras

    David Nolan Gallery is pleased to announce América sin Fronteras, an exhibition of new and recent work by Chilean artist Sandra Vásquez de la Horra – her fourth at the gallery. On view from March 15 through April 28, the presentation will include significant drawings and three-dimensional works that testify to the artist’s vivid imagination and also the introduction of a monumental new scale into her practice.

    Vásquez de la Horra (b. 1967) has become known for her deeply personal works in which she deploys a technique wherein graphite drawings are sealed over with a translucent wax “skin,” imbuing her compositions with a sense of historicity and corporeal fragility. The artist’s unique understanding of the world has been fertilised by a deep engagement with an expansive array of belief systems, both from her native Latin America and across the globe. The powerful images that inhabit her works are the result of a spontaneous and unconscious channelling of memories, metaphor, and spiritual imaginings.

    The present exhibition demonstrates Vásquez de la Horra exploring the further limits of her imagination, as she takes the viewer on a journey into far flung universes, through mountain ranges, deep underwater, and finally, into the afterlife. The titular work, América sin Fronteras, 2017, a mythical seven by five foot drawing, portrays two manifestations of Mother Earth, whose recumbent body seamlessly merges into the landscape. From inside her a young boy is birthed, and armed with a bow, he goes off to hunt.

    Distinctive letterforms (of the artist’s creation) appear frequently in her work, and words often literally embody her figures so as to suggest visual poetry. One such work – La verdad es demasiado grande, 2017 (or The truth is too big) – depicts an enigmatic couple engaged in a tender embrace. Vásquez de la Horra has linked the central message of this work to her own mission as an artist: to both examine and uncover the mysteries of the universe. With power and authority, the artist’s works invite us to consider more deeply the world around us, as she discerningly imparts a treasury of life’s secrets.

    Work by the artist is represented in museum and public collections worldwide, including the Kupferstichkabinett, Staatliche Museen, Berlin; The Art Institute of Chicago; Denver Art Museum; Bonnefantenmuseum, Maastricht; Pinakothek der Moderne, Munich; The Morgan Library & Museum, New York; The Museum of Modern Art, New York; Musée National dʼArt Moderne, Centre Pompidou, Paris; Daniel & Florence Guerlain Contemporary Art Foundation, Paris; Philadelphia Museum of Art; Museum of Art, Rhode Island School of Design, Providence; Musée d'art moderne et contemporain, Saint-Étienne; National Gallery of Victoria, Australia; and UBS Art Collection, Zurich. Vásquez de la Horra lives and works in Berlin.

  • Installation Views
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    • Sandra Vásquez de la Horra El viaje de Olokun (Olokun's Journey), 2012 graphite and wax on paper 40 x 28 1/2 in 101.5 x 72.5 cm
      Sandra Vásquez de la Horra
      El viaje de Olokun (Olokun's Journey), 2012
      graphite and wax on paper
      40 x 28 1/2 in
      101.5 x 72.5 cm
    • Sandra Vásquez de la Horra Develando (Revealing), 2017 graphite, watercolor, and wax on cut-and-folded paper 18 1/4 x 10 1/2 x 6 1/4 in 46.4 x 26.7 x 15.9 cm
      Sandra Vásquez de la Horra
      Develando (Revealing), 2017
      graphite, watercolor, and wax on cut-and-folded paper
      18 1/4 x 10 1/2 x 6 1/4 in
      46.4 x 26.7 x 15.9 cm
    • Sandra Vásquez de la Horra You Are Always on My Mind, 2016 graphite, watercolor, and wax on four pieces of paper 84 3/4 x 61 3/4 in 215.3 x 156.8 cm
      Sandra Vásquez de la Horra
      You Are Always on My Mind, 2016
      graphite, watercolor, and wax on four pieces of paper
      84 3/4 x 61 3/4 in
      215.3 x 156.8 cm
    • Sandra Vásquez de la Horra América sin Fronteras (America Without Borders), 2017 graphite, watercolor, and wax on four pieces of paper 84 1/4 x 61 1/2 in 214 x 156.2 cm
      Sandra Vásquez de la Horra
      América sin Fronteras (America Without Borders), 2017
      graphite, watercolor, and wax on four pieces of paper
      84 1/4 x 61 1/2 in
      214 x 156.2 cm
    • Sandra Vásquez de la Horra Lazarus, 2017 graphite, sanguine, wax crayon, and wax on four pieces of paper 84 1/2 x 62 in 214.6 x 157.5 cm
      Sandra Vásquez de la Horra
      Lazarus, 2017
      graphite, sanguine, wax crayon, and wax on four pieces of paper
      84 1/2 x 62 in
      214.6 x 157.5 cm
    • Sandra Vásquez de la Horra Seres de Olokun (Olokun's Creatures), 2017 graphite and wax on two pieces of paper 39 1/2 x 27 3/4 in 100.3 x 70.5 cm
      Sandra Vásquez de la Horra
      Seres de Olokun (Olokun's Creatures), 2017
      graphite and wax on two pieces of paper
      39 1/2 x 27 3/4 in
      100.3 x 70.5 cm
    • Sandra Vásquez de la Horra Señorita Amordazada (The Gagged Lady), 2017 graphite, watercolor, and wax on two pieces of paper 45 1/4 x 30 in 114.9 x 76.2 cm
      Sandra Vásquez de la Horra
      Señorita Amordazada (The Gagged Lady), 2017
      graphite, watercolor, and wax on two pieces of paper
      45 1/4 x 30 in
      114.9 x 76.2 cm
    • Sandra Vásquez de la Horra Aguas Profundas (Deep Waters), 2016 graphite, watercolor, and wax on three pieces of paper 93 x 42 3/4 in 236.2 x 108.6 cm
      Sandra Vásquez de la Horra
      Aguas Profundas (Deep Waters), 2016
      graphite, watercolor, and wax on three pieces of paper
      93 x 42 3/4 in
      236.2 x 108.6 cm
    • Sandra Vásquez de la Horra La Equilibrista (The Tightrope Walker), 2016 graphite, watercolor, acrylic, and wax on three pieces of paper 93 x 42 1/4 in 236.2 x 107.3 cm
      Sandra Vásquez de la Horra
      La Equilibrista (The Tightrope Walker), 2016
      graphite, watercolor, acrylic, and wax on three pieces of paper
      93 x 42 1/4 in
      236.2 x 107.3 cm
    • Sandra Vásquez de la Horra Señorita Bibliotecaria (The Librarian Lady), 2016 graphite, watercolor, and wax on paper 42 x 26 in 106.7 x 66 cm
      Sandra Vásquez de la Horra
      Señorita Bibliotecaria (The Librarian Lady), 2016
      graphite, watercolor, and wax on paper
      42 x 26 in
      106.7 x 66 cm
    • Sandra Vásquez de la Horra El Baile Eterno (The Eternal Dance), 2016 graphite and wax on paper 39 3/8 x 27 1/2 in 100 x 69.9 cm
      Sandra Vásquez de la Horra
      El Baile Eterno (The Eternal Dance), 2016
      graphite and wax on paper
      39 3/8 x 27 1/2 in
      100 x 69.9 cm
    • Sandra Vásquez de la Horra Señora Collins (Mrs. Collins), 2016 graphite and wax on paper 42 1/8 x 30 7/8 in 107 x 78.4 cm
      Sandra Vásquez de la Horra
      Señora Collins (Mrs. Collins), 2016
      graphite and wax on paper
      42 1/8 x 30 7/8 in
      107 x 78.4 cm
    • Sandra Vásquez de la Horra Madre Hay una Sola (There Is Only One Mother), 2014 graphite and wax on paper 33 3/4 x 24 in 85.7 x 61 cm
      Sandra Vásquez de la Horra
      Madre Hay una Sola (There Is Only One Mother), 2014
      graphite and wax on paper
      33 3/4 x 24 in
      85.7 x 61 cm
    • Sandra Vásquez de la Horra La Mosca (The Fly), 2016 graphite and wax on paper 15 x 11 1/4 in 38.1 x 28.6 cm
      Sandra Vásquez de la Horra
      La Mosca (The Fly), 2016
      graphite and wax on paper
      15 x 11 1/4 in
      38.1 x 28.6 cm
    • Sandra Vásquez de la Horra Atravezando el Umbral I (Crossing the Threshold I), 2017 graphite and wax on folded paper 40 x 22 in 101.5 x 66.5 cm
      Sandra Vásquez de la Horra
      Atravezando el Umbral I (Crossing the Threshold I), 2017
      graphite and wax on folded paper
      40 x 22 in
      101.5 x 66.5 cm
    • Sandra Vásquez de la Horra Atravezando el Umbral II (Crossing the Threshold II), 2017 graphite and wax on folded paper 13 1/4 x 8 1/2 in 33.7 x 21.6 cm
      Sandra Vásquez de la Horra
      Atravezando el Umbral II (Crossing the Threshold II), 2017
      graphite and wax on folded paper
      13 1/4 x 8 1/2 in
      33.7 x 21.6 cm
    • Sandra Vásquez de la Horra Baile Circence (Circus Dance), 2017 graphite and wax on folded paper 22 x 23 in 55.9 x 58.4 cm
      Sandra Vásquez de la Horra
      Baile Circence (Circus Dance), 2017
      graphite and wax on folded paper
      22 x 23 in
      55.9 x 58.4 cm
    • Sandra Vásquez de la Horra Tunel I (Tunnel I), 2017 graphite, sanguine, and wax on folded paper 11 3/4 x 13 in 29.8 x 33 cm
      Sandra Vásquez de la Horra
      Tunel I (Tunnel I), 2017
      graphite, sanguine, and wax on folded paper
      11 3/4 x 13 in
      29.8 x 33 cm
    • Sandra Vásquez de la Horra Tunel II (Tunnel II), 2017 graphite, sanguine, and wax on folded paper 22 x 24 in 55.9 x 61 cm
      Sandra Vásquez de la Horra
      Tunel II (Tunnel II), 2017
      graphite, sanguine, and wax on folded paper
      22 x 24 in
      55.9 x 61 cm
    • Sandra Vásquez de la Horra El Salto (The Jump), 2017 graphite and wax on folded paper 13 x 26 in 33 x 66 cm
      Sandra Vásquez de la Horra
      El Salto (The Jump), 2017
      graphite and wax on folded paper
      13 x 26 in
      33 x 66 cm
    • Sandra Vásquez de la Horra Visiones del Aura (Visions of the Aura), 2017 graphite and wax on folded paper 9 3/8 x 10 1/2 in 23.8 x 26.7 cm
      Sandra Vásquez de la Horra
      Visiones del Aura (Visions of the Aura), 2017
      graphite and wax on folded paper
      9 3/8 x 10 1/2 in
      23.8 x 26.7 cm
  • PRESS

    • News

      Sandra Vásquez de la Horra’s Guide to the Americas

      John Yau · Hyperallergic April 15, 2018
      In Vásquez de la Horra’s cosmology, we encounter fantastical creatures on whatever journey we take, whether it is to a real place or an imagined future. I first wrote about...
  • Artist
    • SANDRA VÁSQUEZ DE LA HORRA

      SANDRA VÁSQUEZ DE LA HORRA

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