In his monumental book, Love as Passion: The Codification of Intimacy, the social theorist Niklas Luhmann explored the cultural fusion of intimacy and matrimony, analyzing economic and political influences on love’s changing role in society. Jorinde Voigt’s airy, diagrammatic drawings are a reflection on Luhmann’s writing: Playful and associative, they are a poststructuralist response to his structuralist text, interpretatively assigning a set of visualized systems to codify Voigt’s own experience studying Luhmann’s book. In doing so, Voigt’s works seem to reference an ebullient jumble of science metaphors: Using iotas of text—specific phrases and graphemes that resonate with her on an intuitive level—she builds pictorial information chains, which she in turn compounds into matrices. The result is a series of vast, graceful images that embody nuanced conversations between the components.
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